His work is in the collection of Centre Georges Pompidou, Paris; Kunsthalle Zurich; Museum of Modern Art, New York; Musée d’Art Contemporain, Montreal; Philadelphia Museum of Art; San Francisco Museum of Modern … the work of acclaimed Swiss-American artist Christian Marclay (b. Marclay's work explores connections between sound, noise, photography, video, and film. London and New York-based Christian Marclay was born in 1955 in San Rafael, California and grew up in Geneva, Switzerland, where he studied art, eventually moving to the United States to complete his BFA at the Massachusetts College ofRead more For more than thirty years, Marclay has explored the relationship between the visual and the audible through a variety of media, including sculpture, video, performance, collage, and music. Following this turn, Marclay has in more recent years produced visual art, although usually of representations of sound, or the various technologies of representing sound. Jennifer González, Kim Gordon and Matthew Higgs, Christian Marclay, London 2005, pp.82–91. 1955), presenting a selection of works focusing on his sound compositions, from graphic scores to video installations. Christian Marclay (born January 11, 1955) is a visual artist and composer. Citing the influence of John Cage, Yoko Ono and Vito Acconci, Marclay has long explored the rituals around making and collecting music. The Sound of Silence (1988) is a black-and-white photograph of the Simon & Garfunkel single of the same title. [18] Accepting the Golden Lion, Marclay invoked Andy Warhol, thanking the jury "for giving The Clock its fifteen minutes".[19]. "[1] His own use of turntables and records, beginning in the late 1970s, was developed independently of but roughly parallel to hip hop's use of the instrument. White Cube Mason’s Yard is pleased to present an exhibition by Christian Marclay. Christian Marclay was born in California but raised in Switzerland. Christian Marclay transforms sounds and music into visible, physical form through a prolific range of performances, collages, sculptures, installations, photographs, and videos. When Christian Marclay moved from New York to London, in the summer of 2007, he left behind some of his most valued possessions: hundreds of … Schooled in Geneva, Boston, and New York, Marclay has shown a lot of interest in the art of sound, becoming an intrepid avant-gardist in the non-conventional use of instruments and sound-mixing tools; even going so far as to perform with American rock band Sonic Youth. Christian Marclay, in full Christian Ernest Marclay, (born January 11, 1955, San Rafael, California, U.S.), Swiss American visual artist and composer whose multidisciplinary work encompassed performance, sculpture, and video. Other guests that night included Todd Rundgren, Taj Mahal, Pat Metheny, and Nanci Griffith. 1 Museum, New York City, USA. And an interest in onomatopoeia dating back to 1989 has culminated in his monumental Manga Scroll (2010), a 60-foot scroll of cartoon interjections that doubles as a musical score. “I’ve always been interested in how sound is visualized,” he explains. In his work, music can be both seen and heard. It is a looped 24-hour video supercut (montage of scenes from film and television) that feature clocks or timepieces. Seiler+Mosseri-Marlio Galerie: Upcoming Exhibits. [7] Drawn to the energy of punk rock, he began creating songs, singing to music on pre-recorded backing tapes. Fraenkel Gallery is pleased to present new work by Christian Marclay, incorporating collage, video animation, and photography. 1955) is known for his distinctive fusion of image and sound. The Clock is an art installation by video artist Christian Marclay. Christian Marclay Christian Marclay was born in 1955 in San Rafael, California, and raised in Geneva, Switzerland. September 18, 2020 The artist and composer Christian Marclay works with the interplay of sound and images through a variety of media, ranging from performance to printmaking, video, and collage. Interview with Akira Sanematsu (28 March 2002). A related review looks at Marclay's sound art. Fusing sound with text and found objects, Christian Marclay’s work draws upon the characteristics of a variety of media to visually capture the nature of sound itself. Christian Marclay’s Telephones, created in 1995, was a skilfully edited arrangement of black-and-white, as well as color film clips that highlighted different subjects utilizing an array of telephones, all designed before the smartphone era that we live in today. His scene didn't make the final cut, but is included among the DVD extras. Born 1955 San Rafael, California Lives and works in London and New York City Education 1975-1977 Geneva, Switzerland, Ecole Supérieure d’Art Visuel 1977-1980 Boston Massachusetts College of Art, Bachelor of Fine Arts 1978 Cooper Union in New York exchange student program Awards 2016 Contemporary Vision Award, SFMOMA, San Francisco, CA 2011 The Golden Lion, Venice Biennale, Venice, Italy 2010 Aurora Award, Houston, TX 2009 The Larry Aldrich Award, The Aldrich Contemporary Art … Marclay released Record Without a Cover on Recycled Records in 1985, "...designed to be sold without a jacket, not even a sleeve!" Celebrated as a pioneer of turntablism, Marclay transforms sound and music into visual and physical forms through performance, collage, sculpture, large-scale installations, photography, and video. Christian Marclay (b. Christian Marclay was born in California but raised in Switzerland. Marclay has performed and recorded both solo and in collaboration with many musicians, including John Zorn, William Hooker, Elliott Sharp, Otomo Yoshihide, Butch Morris, Shelley Hirsch, Flo Kaufmann and Crevice; he has also performed with the group Sonic Youth, and in other projects with Sonic Youth's members. Unable to recruit a drummer for his 1979 performances with guitarist Kurt Henry, Marclay used the regular rhythms of a skipping LP record as a percussion instrument. [12] In Five Cubes (1989), he melted vinyl records into cubes. Marclay sometimes manipulates or damages records to produce continuous loops and skips,[10] and has said he generally prefers inexpensive used records purchased at thrift shops, as opposed to other turntablists who often seek out specific recordings. His work has an immediacy and a sense of connectedness rarely … Drawn to the energy of punk rock, he began creating songs, singing to music on pre-recorded backing tapes. Audio of "Phonodrum" by Christian Marclay from, Winnipeg Art Gallery: Christian Marclay's The Clock. European Graduate School: Christian Marclay. More recently, he has explored his interest in a related abstract concept—time—by compiling clips from an enormous range of films into a 24-hour, single-channel video titled The Clock (2010). Christian Marclay. At White Cube, Christian Marclay Serves Up Sensory Gratification, A Group Show Considers Kafka’s ‘Amerika’ and Otherness in Art, My Highlights from the IFPDA Print Fair 2013. He studied at the Ecole Supérieure d’Art Visuel from 1977–1980 in Geneva, Switzerland. In 2015 the White Cube presented a major solo exhibition including a range of new work and a lively programme of weekly performances played by the London Sinfonietta and guests including Thurston Moore and Mica Levi. It is a visual artist and composer sound collages [ 5 ] Long based in Manhattan, Marclay has recent! 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